• Lotus L. Kang
  • CV
  • Azaleas, Commonwealth and Council
  • In Cascades, Whitney Museum of American Art
  • Receiver Transmitter (Butterfly), Museum of Contemporary Art Toronto
  • In Cascades, Contemporary Art Gallery Vancouver
  • In Cascades, Chisenhale Gallery
  • Mesoderm, 2022-ongoing
  • Fleshing Out The Ghost, Deborah Schamoni
  • Mesoderm, Franz Kaka
  • Molt, MCA Chicago
  • Molt, Horizon Art Foundation
  • Do Redo Repeat, Catriona Jeffries
  • Great Shuttle, New Museum
  • Earth Surge, Helena Anrather and Franz Kaka
  • Her Own Devices, Franz Kaka
  • In Practice: Total Disbelief, SculptureCenter
  • Beolle, Oakville Galleries
  • Eidetic Tides, SAAG
  • Guts
  • Terrene
  • If I have a body, Remai Modern
  • Asphodel Meadows
  • NADA House, Governors Island
  • Channeller, Interstate Projects
  • A Body Knots, Gallery TPW
  • Fascia Lines, Projet Pangee
  • Line Litter, Franz Kaka
  • How deep is your love?, Cooper Cole
  • Nesticulations, In Limbo
  • Knots
  • Babble On, Rockaway Topless
  • The Mouth Holds the Tongue, The Power Plant
  • Untitled, Erin Stump Projects
Lotus L. Kang
CV
Azaleas, Commonwealth and Council
In Cascades, Whitney Museum of American Art
Receiver Transmitter (Butterfly), Museum of Contemporary Art Toronto
In Cascades, Contemporary Art Gallery Vancouver
In Cascades, Chisenhale Gallery
Mesoderm, 2022-ongoing
Fleshing Out The Ghost, Deborah Schamoni
Mesoderm, Franz Kaka
Molt, MCA Chicago
Molt, Horizon Art Foundation
Do Redo Repeat, Catriona Jeffries
Great Shuttle, New Museum
Earth Surge, Helena Anrather and Franz Kaka
Her Own Devices, Franz Kaka
In Practice: Total Disbelief, SculptureCenter
Beolle, Oakville Galleries
Eidetic Tides, SAAG
Guts
Terrene
If I have a body, Remai Modern
Asphodel Meadows
NADA House, Governors Island
Channeller, Interstate Projects
A Body Knots, Gallery TPW
Fascia Lines, Projet Pangee
Line Litter, Franz Kaka
How deep is your love?, Cooper Cole
Nesticulations, In Limbo
Knots
Babble On, Rockaway Topless
The Mouth Holds the Tongue, The Power Plant
Untitled, Erin Stump Projects

Molt (New York-Lethbridge-Los Angeles-Toronto-Chicago-)

Museum of Contemporary Art, Chicago

April 8, 2023 - Feb 11, 2024


The MCA’s Atrium Project invites artists from all points in their careers to respond to the museum’s bright, two-story entrance through a new large-scale work. In the latest iteration of the series, artist Lotus Laurie Kang continues her exploration of entropy and continual becoming. Elegantly disordered and richly layered, Kang’s site-sensitive works explore the relationship between time, personal history, and cultural knowledge.

Kang’s piece, a commission by the MCA titled Molt (New York-Lethbridge-Los Angeles-Toronto-Chicago- ) (2018–2023), is suspended from the museum’s atrium ceiling. Lengths of light-sensitive, unfixed photographic film, or “skins,” as Kang calls them, were exposed to natural light in various environments, resulting in colors that evoke the body and landscape. Silvery chimes made of cast aluminum and bronze in the shape of lotus roots and fish hang alongside these light-sensitive surfaces.

Installed in the light-filled atrium, Molt (New York-Lethbridge-Los Angeles-Toronto-Chicago- ) will evolve and change over the year, emphasizing that in Kang’s work—as well as in the world around us—change is the only constant.

Atrium Project: Lotus Laurie Kang is organized by Jack Schneider, Curatorial Associate.

Photos: Shelby Ragsdale

Molt (New York-Lethbridge-Los Angeles-Toronto-Chicago-)

Museum of Contemporary Art, Chicago

April 8, 2023 - Feb 11, 2024


The MCA’s Atrium Project invites artists from all points in their careers to respond to the museum’s bright, two-story entrance through a new large-scale work. In the latest iteration of the series, artist Lotus Laurie Kang continues her exploration of entropy and continual becoming. Elegantly disordered and richly layered, Kang’s site-sensitive works explore the relationship between time, personal history, and cultural knowledge.

Kang’s piece, a commission by the MCA titled Molt (New York-Lethbridge-Los Angeles-Toronto-Chicago- ) (2018–2023), is suspended from the museum’s atrium ceiling. Lengths of light-sensitive, unfixed photographic film, or “skins,” as Kang calls them, were exposed to natural light in various environments, resulting in colors that evoke the body and landscape. Silvery chimes made of cast aluminum and bronze in the shape of lotus roots and fish hang alongside these light-sensitive surfaces.

Installed in the light-filled atrium, Molt (New York-Lethbridge-Los Angeles-Toronto-Chicago- ) will evolve and change over the year, emphasizing that in Kang’s work—as well as in the world around us—change is the only constant.

Atrium Project: Lotus Laurie Kang is organized by Jack Schneider, Curatorial Associate.

Photos: Shelby Ragsdale