• Lotus L. Kang
  • CV
  • The face is desire is loss, Bvlgari Pavillion, Venice Biennale
  • I hear the hollow boom of time, Frye Museum
  • Casket, Mendes Wood, Germantown
  • Chora 코라, Kukje Gallery, Seoul
  • Borne, Esther Schipper
  • Already, 52 Walker
  • Azaleas II, 52 Walker
  • Molt, 52 Walker
  • Azaleas, Commonwealth and Council
  • In Cascades, Whitney Museum of American Art
  • Receiver Transmitter (Butterfly), MOCA Toronto
  • In Cascades, Contemporary Art Gallery Vancouver
  • In Cascades, Chisenhale Gallery
  • Mesoderm, 2022-ongoing
  • Fleshing Out The Ghost, Deborah Schamoni
  • Mesoderm, Franz Kaka
  • Molt, MCA Chicago
  • Molt, Horizon Art Foundation
  • Do Redo Repeat, Catriona Jeffries
  • Great Shuttle, New Museum
  • Earth Surge, Helena Anrather and Franz Kaka
  • Her Own Devices, Franz Kaka
  • Beolle, Oakville Galleries
  • Eidetic Tides, SAAG
  • A Body Knots, Gallery TPW
  • Untitled, Erin Stump Projects
Lotus L. Kang
CV
The face is desire is loss, Bvlgari Pavillion, Venice Biennale
I hear the hollow boom of time, Frye Museum
Casket, Mendes Wood, Germantown
Chora 코라, Kukje Gallery, Seoul
Borne, Esther Schipper
Already, 52 Walker
Azaleas II, 52 Walker
Molt, 52 Walker
Azaleas, Commonwealth and Council
In Cascades, Whitney Museum of American Art
Receiver Transmitter (Butterfly), MOCA Toronto
In Cascades, Contemporary Art Gallery Vancouver
In Cascades, Chisenhale Gallery
Mesoderm, 2022-ongoing
Fleshing Out The Ghost, Deborah Schamoni
Mesoderm, Franz Kaka
Molt, MCA Chicago
Molt, Horizon Art Foundation
Do Redo Repeat, Catriona Jeffries
Great Shuttle, New Museum
Earth Surge, Helena Anrather and Franz Kaka
Her Own Devices, Franz Kaka
Beolle, Oakville Galleries
Eidetic Tides, SAAG
A Body Knots, Gallery TPW
Untitled, Erin Stump Projects

In Cascades
CAG Vancouver

Sep 29 - Jan 7 2024

Unfolding across sculpture, installation, drawing, and photography, the practice of Lotus L. Kang takes up questions of “becoming” on expansive terms. Known for her use of unstable, continuously sensitive materials and a visual language that melds structural, organic and entropic forms, Kang’s dexterously layered works explore self and environment as contingent, continuous and inseparable.

At the Contemporary Art Gallery, Kang presents her most recent installation, In Cascades, a scaffold of industrial steel joists sheathed with lengths of unfixed photographic films. Presented in a palette of visceral hues, these films — described by the artist as “skins” — remain sensitive to their environment, developing over the course of the exhibition as they’re exposed to the light and humidity of the gallery. A series of intimate sculptures punctuate the installation, provisional, often changeable forms in arrangements that nod to processes of reproduction, exchange, inheritance, and transformation.

Alongside In Cascades, Kang will present a suite of new public-facing works on the façade of the gallery’s Nelson Street building and at nearby Yaletown-Roundhouse Station.

In Cascades is co-commissioned by Chisenhale Gallery, London, and the Contemporary Art Gallery, Vancouver.

In Cascades
CAG Vancouver

Sep 29 - Jan 7 2024

Unfolding across sculpture, installation, drawing, and photography, the practice of Lotus L. Kang takes up questions of “becoming” on expansive terms. Known for her use of unstable, continuously sensitive materials and a visual language that melds structural, organic and entropic forms, Kang’s dexterously layered works explore self and environment as contingent, continuous and inseparable.

At the Contemporary Art Gallery, Kang presents her most recent installation, In Cascades, a scaffold of industrial steel joists sheathed with lengths of unfixed photographic films. Presented in a palette of visceral hues, these films — described by the artist as “skins” — remain sensitive to their environment, developing over the course of the exhibition as they’re exposed to the light and humidity of the gallery. A series of intimate sculptures punctuate the installation, provisional, often changeable forms in arrangements that nod to processes of reproduction, exchange, inheritance, and transformation.

Alongside In Cascades, Kang will present a suite of new public-facing works on the façade of the gallery’s Nelson Street building and at nearby Yaletown-Roundhouse Station.

In Cascades is co-commissioned by Chisenhale Gallery, London, and the Contemporary Art Gallery, Vancouver.