• Lotus L. Kang
  • CV
  • The face is desire is loss, Bvlgari Pavillion, Venice Biennale
  • I hear the hollow boom of time, Frye Museum
  • Casket, Mendes Wood, Germantown
  • Chora 코라, Kukje Gallery, Seoul
  • Borne, Esther Schipper
  • Already, 52 Walker
  • Azaleas II, 52 Walker
  • Molt, 52 Walker
  • Azaleas, Commonwealth and Council
  • In Cascades, Whitney Museum of American Art
  • Receiver Transmitter (Butterfly), MOCA Toronto
  • In Cascades, Contemporary Art Gallery Vancouver
  • In Cascades, Chisenhale Gallery
  • Mesoderm, 2022-ongoing
  • Fleshing Out The Ghost, Deborah Schamoni
  • Mesoderm, Franz Kaka
  • Molt, MCA Chicago
  • Molt, Horizon Art Foundation
  • Do Redo Repeat, Catriona Jeffries
  • Great Shuttle, New Museum
  • Earth Surge, Helena Anrather and Franz Kaka
  • Her Own Devices, Franz Kaka
  • Beolle, Oakville Galleries
  • Eidetic Tides, SAAG
  • A Body Knots, Gallery TPW
  • Untitled, Erin Stump Projects
Lotus L. Kang
CV
The face is desire is loss, Bvlgari Pavillion, Venice Biennale
I hear the hollow boom of time, Frye Museum
Casket, Mendes Wood, Germantown
Chora 코라, Kukje Gallery, Seoul
Borne, Esther Schipper
Already, 52 Walker
Azaleas II, 52 Walker
Molt, 52 Walker
Azaleas, Commonwealth and Council
In Cascades, Whitney Museum of American Art
Receiver Transmitter (Butterfly), MOCA Toronto
In Cascades, Contemporary Art Gallery Vancouver
In Cascades, Chisenhale Gallery
Mesoderm, 2022-ongoing
Fleshing Out The Ghost, Deborah Schamoni
Mesoderm, Franz Kaka
Molt, MCA Chicago
Molt, Horizon Art Foundation
Do Redo Repeat, Catriona Jeffries
Great Shuttle, New Museum
Earth Surge, Helena Anrather and Franz Kaka
Her Own Devices, Franz Kaka
Beolle, Oakville Galleries
Eidetic Tides, SAAG
A Body Knots, Gallery TPW
Untitled, Erin Stump Projects

I hear the hollow boom of time
Frye Art Museum
June 06 - September 27, 2026

Lotus L. Kang creates installations that respond to the spaces they inhabit and reveal the surprising possibilities of ‘misusing’ materials—specifically, the tools of photography. In her largest museum exhibition to date, she presents two major new installations alongside a series of works on paper, all developed in dialogue with the Frye Art Museum’s distinctive architecture.

Interweaving poetic reflections on memory, translation, and inheritance, Kang works iteratively, revisiting forms and materials across her artworks. For the Frye, she creates an installation featuring large sheets of unfixed industrial film that have been exposed to varied light sources in a process she calls “tanning,” likening the film’s sensitive surface to skin. Sculptures using tatami mats as their foundation punctuate the spaces between the suspended, cascading film sheets. Secondly, Kang will present a kinetic sculpture: evoking an enlarged ribcage, a rotating drum wrapped in celluloid film projects shifting bands of color and light throughout the gallery, its motion timed to a rhythmic score based on lines of poetry.

Together, these works embrace leaky boundaries—between inside and outside, life and death, deterioration and regeneration—exploring how we are continually shaped and transformed by the environments we move through.

I hear the hollow boom of time
Frye Art Museum
June 06 - September 27, 2026

Lotus L. Kang creates installations that respond to the spaces they inhabit and reveal the surprising possibilities of ‘misusing’ materials—specifically, the tools of photography. In her largest museum exhibition to date, she presents two major new installations alongside a series of works on paper, all developed in dialogue with the Frye Art Museum’s distinctive architecture.

Interweaving poetic reflections on memory, translation, and inheritance, Kang works iteratively, revisiting forms and materials across her artworks. For the Frye, she creates an installation featuring large sheets of unfixed industrial film that have been exposed to varied light sources in a process she calls “tanning,” likening the film’s sensitive surface to skin. Sculptures using tatami mats as their foundation punctuate the spaces between the suspended, cascading film sheets. Secondly, Kang will present a kinetic sculpture: evoking an enlarged ribcage, a rotating drum wrapped in celluloid film projects shifting bands of color and light throughout the gallery, its motion timed to a rhythmic score based on lines of poetry.

Together, these works embrace leaky boundaries—between inside and outside, life and death, deterioration and regeneration—exploring how we are continually shaped and transformed by the environments we move through.